Wednesday, 19 November 2014

What rating would our production be?

According to the BBFC our production would be rated as a 15. Below is a copy of what is written on the official BBFC website, stating the criteria of a 15 rated film.





What might I see in a 15 rated film or video?

Any of the following:
  •   strong violence
  •  frequent strong language (e.g. 'f***').
  •   portrayals of sexual activity
  •   strong verbal references to sex
  •   sexual nudity
  •   brief scenes of sexual violence or verbal references to sexual violence
  •   discriminatory language or behaviour
  •   drug taking

What about horror works?

At 15 there can be strong threat and horror as long as there is no sustained focus on sadistic or sexualised threat.

Our production fits into some of this criteria such as strong language and violence, also being a horror and potentially giving children under the given age nightmares. 

According to the hypodermic needle theory, a significant reason for our production to be rated as a 15 is because children are passive users of media, and therefore more likely to re-enact anything they view. For example, it can be argued that the media may have been an influence on the Jamie Bulgur case, in which a young boy was brutally murdered by other young boys. Therefore by restricting people below the age stated from viewing the film, tragic problems as such can hopefully become avoided.


Monday, 17 November 2014

Permission Slips

Permission slips were needed from our cast before we were allowed to start filming. As the majority of our cast were under the age of 18, we also needed the permission slips to be signed by their parents or guardians. Permission slips are extremely important as they give written consent. Below are some images of the permission slips we used.




Layla Khan's Permission Slip



Rosie Goddard's Permission Slip




Eleni's Permission Slip







Changes to Shot List

During our first shoot we found that some of the shots were slightly ambitious, and therefore not attainable. As we went along we changed the shots to fit what we saw best at the time. This proved to be successful because the changes we made worked out better than the initial ideas. Below there are images of the changes we made. 










Wednesday, 5 November 2014

Props and Costume


KNIFE:


A knife was used by Layla to enhance her sinister, unnerving image. As the knife can be potentially harmful, safety precautions had to be taken. This included; no running with the knife, holding the knife correctly, putting it down when it's use isn't required, and being sensible with it.

OPTREX:




Rosie used optrex eyewash in her crying scene. The aim of this was to make her eyes look wet, like she's been crying, without irritating her eyes. As the solution in of the same consistency as the eye, it didn't irritate her eyes, and was effective.

BANDAGE:




Layla had numerous festival wristbands on her arm, which obviously would have looked out of place and unrealistic on our character. As they are irremovable, we wrapped a bandage around them and carefully applied ketchup in places as a substitute of blood. 


CHILDREN'S NIGHTGOWN:



This was worn by Eleni, who plays the part of Rosie's younger self, in our flashback to Rosie's persistent nightmares when she was a child. Pink was the most favorable color as it is the colour of the whole bedroom that we filmed in, and it is the most stereo-typically common color amongst young girls of this age. It also connotes innocence and feminism, which portrays the young Rosie as a sweet, normal, innocent character. This is what we were aiming to achieve. 

NIGHTGOWN:







This was the outfit that was worn by Layla, the antagonist. This was chosen because often in horror films such as 'The Ring' and 'The Grudge', in which the antagonists are of a similar style to out antagonist, white nightgowns, or something of the sort are worn. This gives an unnerving, creepy effect. Also, the light, airy material of the night gown moves in a floating motion, which can resembles a ghost, which clearly is quite fitting to our production.


ROSIE'S COSTUME:




Rosie's character is a young woman supposedly in her twenties, with the job of a newly qualified teacher. It was our aim to portray her as quite feminine and gentle due to the kind nature of her job. In the teaching scene which was filmed at school, Rosie wore a leather jacket to make her look more professional and office-like.

In a few scenes at Gabby's house in our final shoot, Rosie wore a dark red jumper with a collar, and a black skirt and tights. This was also meant to be an office-like outfit, this is because in our production Rosie has just come home from work.





ELENI'S MOM:



Eleni's mom wore a grey coloured dressing gown. This was because her scene involved putting her daughter to bed, and kissing her good night, therefore it was appropriate to dress her in her nightwear.

Tuesday, 4 November 2014